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Authors Illustrators Publishers Titles
Years Genre There's No Place Like Home The Great Oz Knows Why You Have Come How Very Resourceful Pay No Attention to That Man Behind the Curtain |
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Search | Most Recent | The Daily Ozmapolitan |
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News from Glinda's Great Book of Records |
Oziana #41 |
2011 | |
Author(s): Various |
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Illustrator(s): Various |
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Publisher(s): International Wizard of Oz Club |
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Genre(s): Fantasy |
Comments: First up is David Tai's "Voyaging Through Strange Seas of Thought, Alone". It's almost like a poem, but more like a collection of thoughts, a list of words, of expressions and a lack of clarity. At first it does seem vague, but then it appears to hint on how the Glass Cat known as Bungle got her pink brains restored as well as her sassy vanity (another explanation was approached in the 2004 Oziana story "A Bungled Kidnapping in Oz" written by David Hulan and illustrated by John Mundt, Esq.). Here Kim MacFarland does a nice lined drawing of the protagonist. This story lasts about 2 pages. Following this is a 5-page story written by Justice C. S. Fischer addressing the possibility of how after being melted, the Wicked Witch of the West became "Blinkie of Oz" and how the Oz characters dealt with this situation when it was brought to their attention. While Dorothy looks more like a six-year old Judy Garland, I did like how Dennis Anfuso illustrated the Tin Woodman. I've sometimes wondered if it is possible for you to write a new character for a story and then actually say that anybody else could use that person if they so wished . . . well, my curious thought was addressed with Kass Stone's "Jenny Everywhere in Oz" (How, exactly, I will leave for you to discover for yourself). Jenny's encounters also make homages or allusions to things like "Transformers", "Narnia" and something else I couldn't quite put my finger on. When Jenny does get to a certain place, we have another 'human from outside world finally coming to and saving Oz' story, but this one is definitely one to enjoy reading with the little jokes, descriptions and events in this story. Old friends Jack Pumpkinhead and the Saw-Horse join her to meet Glinda and the villain is somehow related to the Wicked Witch of the East, a new character Baum would probably have enjoyed reading about. My most favourite part of this story is the inclusion of different and alternate universe versions of Glinda (though it may not be exactly as you expect). In this 9-11 page story, Alejandro Garcia does only three drawings, but the double-page spread of 'the Legion of Glindas' makes up for that. I do wish there had been another set of drawings for this story across the double-page spreads of text. Next up, Mycroft Mason asks some of Trot's questions as she attempts to know more about "The Solitary Sorceress of Oz", otherwise our wise and often taken for granted friend, Glinda. Yep, our favourite Good Witch/Sorceress of the South's identity is questioned, approached and . . . MAAAAAYBE answered, across 7 pages (with Chapters + Titles). I won't say anything much else about this story either, as you will have to discover out the fun for yourself as well. And wherever Trot is, you can be sure Cap'n Bill will also make an appearance, but no longer than necessary (but I must admit I didn't recognize him at first, though Trot looks interesting and nice, as does Glinda especially!) I will say how refreshing it was to actually got closer and a bit more personal with Glinda and her life, or rather some of it, as we always see her as a powerful figure in red and white with blue eyes and an "all-seeing" Book, without ever really thinking about her needs and maybe wishes, or how her life was like growing up. I do wish this story had been longer, however. Isabelle Melancon does great work here illustrating Trot and Glinda, especially in their touching moment at the end. What, you don't recognize the name Isabelle Melancon? Well, here's a little hint: Namesake. Last up we have "Cryptic Conversations in a Cornfield (a prolusio in umbra)" by Jeffrey Rester. To put it simply, the Origins of Scarecrow. Yes, originS. We all know L. Frank Baum's simple yet mysterious and gap-holed recollection from Scarecrow about how he was made. But Scarecrow says himself how with his life being so short he knows nothing whatever: |
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